Sunday , October 17 2021

Picard Beirut: When music becomes ideological

With good technology programs growing, many performers and cultural heritage suffer from the gradual disappearance of its value in the Arab world. While our original Arabic music suffers more than piracy in business and melodrama, the need to move from art trade has inspired five professional musicians to create a cultural choir called "Picard Beirut".

Praise industry productivity
No one can overestimate the extent to which companies and their companies, which are largely focused on identifying what is popular, regularly cynically manipulate a limited number of repetitions of individual songs without introducing a number of ways to suit all tastes. No one can deny the change of musical spirit and reduce the importance of today's musicians, until the fame becomes a manufacturing industry, not all reliance on talent is based on our age being a new model that is now seen as a step in the new music economy. And a yellow press that draws artists and artists to their privacy.

Family of Beirut
There was an urgent need for extraordinarily new, modern talents that would restore the golden age that we need at the moment. In the age of measured clicks, as manufacturing companies institutionalized Arabic music and hindered meaningful participation and disappointment with music, a student of Hala Ramadan of the Lebanese Conservatory chose to create a friends' choir from Beirut's families "Itani, Kalash, Istnaboli, with the eyes" to fight stereotypes and revive the beautiful art. Asking about a career in the digital age, Hala claimed that music aesthetics were "rejected" for reasons that were not clear and detailed. "I don't think the currently popular songs broadcast in Arabic ears and commercial radio stations, but Umm Kulthum, Wadee Al Safi, Sabah Fakhri, Najah Salam, Fayrouz, Sabah and Farid Al Atrash." "In other words, I think that music, defined four or five decades ago, was aesthetic art and a painting that celebrated." Speaking of the name of the group, she explained that it was the first of a group of family members who in Beirut saw the center of the music department, which Piccolo would lead to the whole Arab world.

The friendship that Taoufik Kalsh has combined with Halu for several years at the Conservatory has made them intellectually close to one goal: "top music" as he pointed out. First of all, the group started with spontaneous meetings, concluding these meetings with the cultural activists' choir, restoring everything that is beautiful. "Those who care about the future of the music industry should spend less time complaining about digital unrest and spend more energy to raise public awareness of serious Arab heritage music," said Kalash.

Look for the spirit of authenticity
For him, our voice is our most precious, and his voice is his favorite instrument, in which he does not activate creativity and his weapon, which he uses for Beirut Picard to restore the musical land currently used by non-professionals. Speaking of Awad and bass player Gad Be & # 39; s ayoun, music was an emotional mantra that helped him adapt to the environment and integration because he suffered from visual impairments and complex problems in his eyes. Expressing his feelings, string instruments were part of his body, and the extremities were used for dialogue, and to reflect his essence from a human perspective. In his interview with "Young Arabs", Ayoune explained to us how legacy music is exaggerated with our symbolic, philosophical and Arabic compositions. As these issues are not sufficiently appreciated in the public press or on television, our collective ability to connect with ancient Arabic music, known as Orientalism, is dispersed through the human lens. "As an active member of Beirut, I hope to help my peers heal their daily lives in Lebanon, which slowly turns us into robots."

Father and three boys Mohammed Attani do not take on hobby, but his career is focused on games with famous artists, insisting that everything begins or ends at school. Like any other language, young people and young people easily learn the rules, subjects and musical structure. Itani sees that with more than half of the crowding out of the Lebanese school music, the tune that melody gives us melodies has gone from the hearts of the present generation, their ears have turned from taste, so they don't know how to choose the beautiful of the ugly. That's why Itani joined Bekar Beirut's choir, based on the principle that his musical imprint in Lebanon should not be limited to singing at their paid concerts, but that he must give the sense of authenticity he does in the hope that it will be added to the value of music in our culture.

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