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Although both emphasize that the two functions are smooth this time – because they work everywhere with the same responsibility – the division of functions is, however, the following: Juris Jonelis is an artistic director, and Roberts Rubin – director of projection and visual video.
Jonas reveals – there is much talk in the team about what will be the next century in Latvia. "This is our main point in thinking about the concept of this project – what do we want to pass on to the next people, future generations who will live in Latvia, take care of it and shape it? We take care of our experience. It is only one hundred years and we want Latvia for at least ten years on the moment, but the moment when the first hundred of the people of Latvia are flocking with the next is special. "
The project will be enormous and ambitious, and this feeling will be enhanced by a multimedia orientation. "It was not our goal to make a grand event at any price, trying to jump higher by ourselves," Rubin notes. "Yes, in the press, to attract people, this is emphasized, but in our case, multimediaism comes through the idea. It all began more than three years ago when the competition was announced. We did not know what it would be like, but we saw that the idea was initially also We agreed that it is not important for us to separate the genres, but we want to combine everything into a whole story – regardless of whether there will be a film or a performance, to integrate everything into a great inseparable performance. The regulations required the dance to be classical, contemporary and folk dance as the basic genres, but we also come to the aid of acrobats, modern dance and sports dance. "
But why "Both Malas" is capitalized? Because it looks pretty neat!
"Without dancing we also take into account all the previous experiences, which in my case are very much related to the video – the collaboration with Didzis Jaunzems is old," says Robert Rubin. "We take what is already ready.
In the hundredth century, however, the best thing that has been put together is to put together a good result!
Soon we came to stage design. In principle, you make about a sixth part of the big Olympics opening. We created scenography like a fluttering flag – there is a line in the middle: Daugava's fate, a street, a railway or a road. A time bar that runs through and both sides. The edge that, of course, meets. "
Juris Jonelis: "One of the settings – we wanted" Arena Riga "to open a folded letter that has opened and can be seen for 100 years.
But choosing what to do in two hours was not an easy task.
We begin with what is its values and inspiration that made us burn it and be a culture of our rights, forcing Latvia to be. To bring everything together in a single show, the main story is about Mar – a girl who has 18th birthday on November 18th. We see everything through her prism – as if Latvia were eighteen. "
Roberts Rubins: "We made the Libretto. First, we with Juris invented a system of images, Rasa Bugaviciute was occasionally approached, Raimonds Briedis advised; then Reinis and Andris Sāreans came who, with the help of music, gave their direction, and then we with Juri dropped out superfluous personages – like brooms that clean up their very clever layers … "
Asked what a sensation should be when the viewers left the Arena Arena, the directors do not hide that they initially thought so much about it. One of the thoughts – to get out of the "Arena Riga" and nowhere to go: stop, we understand, on what ground we stand, and who are people around us all around. And how do we want to live further?
Now the group is working hard on how to fulfill the love of man for our land – that Latvia is not simply a word of the day, but they are our ancestors who kept on the ground in the name of the target.
The feeling must be that we are Latvia – that this country depends on us.
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