Monday , December 6 2021

He was 65 – Farewell to the European theater master Eimuntas Nekrošius Liguria culture



[ad_1]



Eimuntas Nekrosius

Eimuntas Nekrosius

<! – ->

Vilnius – a Lithuanian teacher Eimuntas Nekrosius, considered one of the most famous internationally known theater directors, last night died suddenly at the Vilnius Clinic, where he was hospitalized after returning from a trip abroad. The famous director's speech would have passed in the 66th year. He leaves his wife, designer Nadezda Gultiyayev and two children. He was born on November 21, 1952.

The activity in Italy was intense as a prose director, from Anton Chekhov to William Shakespeare: he was the art director of the Teatro Olimpico in Vicenza (2011-2013). He also debuted in Italy as a lyrical director: in 2002 the Teatro Comunale di Firenze offered an unforgettable Verdi's Macbeth, while in 2010 in La Scala, he signed Gounod's Faust. In his expressive and visual performance Nekrošis paid special attention not only to the emotional interpretation of the actors, but also to the use of subjects on the scene, which almost turned into an independent story. His works, as well as in Lithuania and Italy, were excellent reception in Austria, Yugoslavia, Finland, Israel, Norway, Sweden, Switzerland, Russia and the United States.

Scarification of the text, barbaric, archaic, and significant scenography, and the valorisation of some pictorial and textual elements (ice, earth, water) characterizes his interpretation of the shadow trilogy (Hamlet, 1997, Makbets, 1999, Otello, 2000). In 2005, he performed Wagner's 2007 La Valchiria. Among the last performances of the theater, in which he restored the power of the visual element, his theater practice node, we remember: "Faust" Goethe (2006), the text he translates into a performance populated with strong influences from symbolic objects and essential and dazzling images; Tolstoy's "Anna Karenina" (2008), in which the image, gesture, and sound reduces the meaning of the word, which is characteristic of creating a world where the time is widened between dense and frozen atmospheres in order to take on the activities of its dream propagation.

Graduated from the Lunacarski Institute of Arts in Moscow, Necrosius emphasized himself as the director and director of the Vilnius Youth Theater, and then in the Kaunas Drama Theater. In 1993 he was appointed director of the International Lithuanian Theater Festival and in 1998 established the independent art center "Meno fortas". The short performances have been successful in publishing and criticizing many international theater festivals and won significant prizes: in 1996 he was awarded the Ubu Award for the best foreign theater exhibition in Italy; In 2001, Russian critics awarded him a Constantine Stanislavsky Prize.

"Theater of Election and Anti-Nationalism" According to Trecani's encyclopaedia, Nekrosius has created unusual exhibits of diversity of riches and inventions of invention, which, based on metaphorical and sometimes exaggerated expressive stratification, combines the hypnotic logic of dreams and poetry and the circus's playful and clown peaks: "The Man's Flavor", Deleni (1976) "Chekhov", "Ivanov" (1978), Ajmatova (1983) "One day as a century" (1983), Cecov "Uncle Vanya" (1986), Gogol's nose (1990), "Mozart and Celery, Don Giovanni Pest" (Pushkin, 1994), "The Three Sisters" (Cecov, 1995).



© Reproduction is reserved

<! – ->




[ad_2]
Source link