On Tuesday, a symposium entitled "Arabesque Language Intercourse" was held, which was titled "The Language of the Arabian Nation Communication", organized by the Office of Cultural Affairs, chaired by Khaled Jalal, Hanagher Arts Center, from 12 to 14 November.
Speaking at the symposium, Dr. Mohamed El-Deebs, President of the Egyptian Arabesques and the Mutharabian Art Association, sparked the fifth Egyptian historic heritage festival to preserve the heritage and the importance of preserving societies. Minister of Culture Inas Abdel-Dayem expressed interest in the following important issues. He also thanked the head of the Culture Production Department Khaled Galal for the presentation of cooperation between the industry and the festival.
Al-Dive spoke of "Mashrabiyat .. Heritage and Creativity". He said that Mashrabiya spread throughout the Egyptian legacy of Cairo and Wadi architecture, allowing air and light to enter the building. The goal was not to see the outside of the building residents in order to achieve privacy. Regarding the form and methods of the industry from place to place and from one era to the other, as well as various glass and interlayer wood and semicircular materials, as well as articles and poets and the Qur'an sermons, emphasizing the need to document these units and forms and beverages in a digital way, and there are many houses in Egypt Which is characterized by the richness and beauty of Masrabia art, such as Beit al-Suhaimi and Zeinab Khatoun al-Kartiliya, which contains heritage heritage riches.
About aesthetics of geometric decorations in the minaret, Dr. Diaa Dhahran, Director of the Technical Office of the Ministry of Foreign Affairs, focused on this topic, identifying elements of the Islamic architecture of the church and their types, such as minabro cameras and soldiers, the development of its architecture and the most important materials used on wooden and stone platforms. Referring to the first Islamic platform, the platform of prophets (peace be upon him) in the city and its administrative and political significance, explaining the importance of documenting the forms of the pulpit, which was one of the most important contributions of the Muslim artist in the era of the Fatimid, to document the industrial and decorative traditions, Materials and their composition, as well as the degree of visual harmony between the shape of the platform and the ear.
Dhahran emphasized the role of Akuq's ministry by registering the contents of all its mosques to ensure its conservation. He pointed out that the motifs of the Mamluk and Fatimid era, which were executed in the form of drilling, plywood, star shapes and securitization, were mentioned as "Adding the development of scenery and decoration platforms to Nhod and Almkrnasat and the Star-shaped, as well as filling and unloading tools, as opposed to the best Egyptian mosques the historic Egyptian artist's brilliance models such as the stone mosque Badr Eddin's country Aisha, the Night with stone platforms and the blue mosque at the door of the ministry of his companion Prince Shams al-Din with marble platforms and colors.
Dr Jalal Al-Misiri, a member of the Secretariat General of the Arab Photographic Organization, spoke about the aesthetics of buildings in the Nubia Heritage. He described the Nubian people as owners of brown skins and white hearts, their geographic location and the historical distance from the villages of Nubia and the movement. Therefore, the home rose from the surface, and the temperature was one of the most important factors influencing the shape of Nubia's architecture, characterized by domes and vacations, and the Nubians love the blue color, which means movement and freedom, as well as the red and yellow colors, the Balzacharv engineers, crocodiles and ornaments.
Director of the Koptu Museum, Jihan Atef, identified the aesthetic scenery of the Coptic heritage as lines or shapes that overlap and unite the finishes. They show the artist's creativity in the design, decorating and use of elements of artistic and ideological significance. And wool in various forms of plants and animals that was decorated with lighting tools and kitchen utensils, emphasizing that "ornamentation" was the spiritual needs of the Coptic artist Yamali and explained the impact of the art of Coptic on other arts, and this is reflected in the lotus and the coincidence and the key to life, What symbolizes universal protection and life, and elements taken from the symbolic and communicative life (fish, pigeons, vines, peacock)?
Researcher Mustafa Kamel Mustafa said it was important to document heirs and artisans, as well as to handle ancient Egyptian monuments, heritage and heritage craft documentation. The aim was to create an information base for craftsmen and to talk about the beginning of the ancient Egyptian letter from Rahmi Ra's crypt and the most important parts of ancient Egyptian civilization. The most important artisans of aria, copper, tectonic and vaccination work such as the creative producer Ahmed Hassan, the mosque Al Badri mosque and reef mosque, the oldest Fatimid Cairo mosque and Egyptian craftsman "Kasabji" All efforts are devoted to the Yalla Awlorsha 2018 initiative to educate young people and introduce them. those with ancient Egyptian heritage, such as the Khayyamiyah art and accidental vaccination.