Wednesday , January 19 2022

Jay-Z Tidal is checked for streaming numbers


In Norway, Tidal, a subscriber service owned by the rapper Jay-Z, is based on music and video streaming.

Investigations follow the current reports of the Norwegian newspaper Dagens Næringsliv that the music streaming service was inflated by the number of listeners such as Beyonce and Kanye West.

After the Norwegian Artists' Associations have been accused of potential loss of income through streaming data, the Norwegian Economic and Environmental Crime Investigation Authority (Okokrim) checks the tide.

"With media coverage, it was reported that the reports were related to the Tides streaming service and suspected someone was manipulating some songs," Okokrim Attorney Elisabeth Harbo-Lervik said in an email comment.

Okokrim said he had started an investigation to confirm or reject possible manipulation, according to Harbo-Lervik, and refused to provide further details of the investigation.

Thomas's lawyer Fredrik Berg at Fend, a law firm in Oslo, said tides were not suspected or paid. Berg refused to provide further comments.

"Tidal is not a basic suspect," said a company representative. “We communicate with Økokrim. We are aware that at least one person suspected of theft has been questioned. ”

In 2014, Jay-Z purchased Tidal 56 million US dollars to give its colleagues a larger share of streaming revenue, which now accounts for more than half of all US record sales. During the presentation in 2015, he introduced collaborators such as Rihanna and Alicia Keys as co-owners.

Services failed to compete on platforms like Spotify Technology SA and Apple Music. In 2017, Sprint Corp bought 33% of the shares, according to reports that Tidal was negotiating with Apple for sale, according to The Wall Street Journal.

One year after the acquisition of Tidal, Jay-Z sent a letter to previous owners Schibsted ASA, a Norwegian media company, accusing the seller of an exaggerated subscriber number during the transaction.

The latest complaints come from Norwegian copyright and music associations, which followed the Dagens Næringsliv study published in 2018. The newspaper, together with the Norwegian University of Science and Technology, analyzed data that claimed to be Tidal raw streaming data. The University prepared a report concluding that data was manipulated at specific times.

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